What the reviewers are saying about We Could Possibly Comment - Ian Richardson Remembered

What the reviewers say:

"... a charming book" - S E G Hopkin, Remembering a Classicist Spectator Magazine

"a multi-faceted view of one of the finest actors of our time... nor can I think of a more touching or suitable tribute to a great gentleman than this book" - scroll down for full review Carol Ferguson, Banner Herald, Greenville Texas

"'John Sessions called this book 'a glorious and heart-warming tribute to a superb and much loved actor' I can certainly echo his praise. Highly Recommended." scroll down for full review - Scene One Magazine

And from Elaine Simpson-Long on her Blogsite Random Jottings of a Book and Opera Lover

13 November 2009

Ian Richardson Remembered - Sharon Mail

Readers of Random may remember that I wrote some time ago about how, for many years, I had lost my interest in the theatre and, in particular, Shakespeare. I am pretty sure you will have forgotten, why you should remember passeth all understanding, but the two posts are here and here.

Any my reason for mentioning them in this review? Because it reminds me of just how much I missed in those wilderness years. My ex-husband always loved the theatre and Shakespeare and used to attend the Chichester Festival and go to Stratford and he saw some simply marvellous productions and was present at wonderful performances by individual actors. I missed them all and when I read this memoire of Ian Richardson, who died two years ago, I began to feel aggrieved all over again that I did not see this superb actor on stage. It is clear from the memories of his fellow actors and those producers he worked with, that he was 'a consummate actor' this phrase popping up over and over again, with a magnificent speaking voice which could mesmerise the listener.

I only know Ian Richardson from television, but my two main memories are of him in Tinker, Tailor, Soldier, Spy and House of Cards and I suppose if those two are to be my personal remembrance, then I could hardly pick better.

When I first watched Tinker, Tailor it was shown on a Monday night and every Sunday they repeated the previous week's episode so that viewers could catch up and remind themselves of the intricacies of the plot (no i-player around in those days) and boy did we need it. The intrigues and labyrinthine double dealings and counter plots meant that you really had to be alert and I remember one night sitting down and taking the episode step by step to fully understand what was happening. Ian played Bill Haydon, a member of MI5 and he was smooth and elegant and charm personified. George Smiley, superbly played by Alec Guinness, had to find out who the mole was at the 'Circus' and as we watched each character being investigated and uncovered, it was impossible to guess who was the traitor. The standard of acting in this series was extraordinarily high, how could it fail to be with such a cast, and it is available on DVD - I have it and last year I watched it again and though it is now some 30 years old it is still as superb as ever. There is one pivotal scene between Guinness and Richardson which I have watched over and over again so lost in admiration am I at the interplay between these two magnificent British thespians. I am being very careful not to give away the plot here, as I so want those of you who have never seen this series to get hold of it and watch.

And so we come to The House of Cards. The opening shot of the first episode had Ian Richardson, playing an MP, Frances Urquhart, sitting at his desk. The camera is behind him looking over his shoulder and he holds at a photograph of Mrs Thatcher. He puts the photo into a desk drawer, turns his face to the camera and us and says "Nothing lasts forever. Even the longest, the most glittering reign must come to an end one day". Then he smiles coldly.

Now that was a simply stunning opening, but then the most amazing stroke of luck for the producers of this series, at least from their point of view, not sure that Mrs Thatcher who resigned just a few weeks after the show started, would agree, but this seismic political event was a case of fiction becoming reality and it just caught the imagination. Ian's character, Frances Urquhart and his wife (the two Macbeths) coldly and clinically planned his ascent to the office of Prime Minister, ruthlessly dispatching anyone who got in their way. It was television of the highest order and just so exciting that it had you on the edge of your seat. Susannah Harker played a young, susceptible journalist who becomes sexually involved with Urquhart and who he chose to disseminate carefully placed information. HIs response to any question 'You might say that Mattie, I could not possible comment' became the catchphrase of the year and, in fact, has now passed into general usage and was part of our family's collection of in house jokes and day to day comment for years. It comes as no surprise to me when reading this section, that I discovered this line was actually put in the script by Andrew Davies - yes the ever present and ubiquitous scriptwriter and producer of Pride and Prejudice amongst many others.

Though these two examples may be my poor attempt at an appreciation of this wonderful actor, at least they are two that show him at the top of his form and his capabilities. I just have to regret that I never saw him as Richard II or the Government Inspector or Ford in the Merry Wives of WIndsor and other roles that are too long for me to list here and be happy that I saw him as Haydon and Urquhart.

When reading a biography, though this is in no way a full life, the character of the subject has a habit of slipping through between the lines. An author can only say so much about the person they are writing about, but quotes and sayings and comments actually spoken by their subject, give the real person away. Ian Richardson married his beloved wife Maroussia in 1961 and was devoted to her to the day he died.

They were inseparable and when he saw her after an absence of a few hours, he greeted her as if she had been away for months. She loved him, took care of him and he relied upon her totally. He adored her and because of this security and love he was able to give of his best on the stage, he was thoughtful and helpful to young actors, took direction with grace and charm and, though he could cuss and swear and lose his temper with the best of them, he was lovable and much loved.

In fact, my main impression is that he was a warm hearted and kind man. To me, kindness is the greatest of the virtues and I can think of no higher compliment than to say this about this wonderful actor.

I thank Sharon for sending me a copy of her book - I am most grateful to her.

Ian as Berowne

Joe Cocks Studios Collection @ Shakespeare Birthplace Trust

When The Essential Shakespeare Live: The Royal Shakespeare Company in Performance audio CD, produced by the British Library, was released in 2005 it was a source of dismay to me. Why? Because Ian Richardson, a star for the Company for 15 years, was practically ignored in it.

However, a further compilation, unsurprisingly called The Essential Shakespeare Live Encore has just been released and includes a recording of Ian as Berowne in Love's Labour's Lost.

Here's what actor Nickolas Grace had to say in the book about Ian's performance in the role:-

"It was one of the greatest things I've ever seen because that was the real vocal pyrotechnics. He did the whole thing at about a hundred miles an hour. It was like an express train - he did it really rapidly but you could hear every single word and he got a clap after the first speech. It was staggering."

And Garry O'Connor in his review in Plays and Players in October 1973:-

"His Berowne is the essence of boyish exuberance. His resources of optimistic goodwill appear endless. Some are born with silver spoons in their mouths, Mr Richardson was born with the iambic pentameter. He warbles, he flutes, he moans, he juggles, he transposes, stands on his head, lies on his back: whatever he may be doing, the lines ring out with clarity and precision."

Needless to say, I've ordered my copy!

The Essential Shakespear Live: Encore

We Could Possibly Comment - First newspaper review

Here is an abridged version of the first review of the book in a publication.

Reproduced by kind permission of the Herald-Banner, Greenville, Texas :-

01.11.2009

Carol Ferguson

"Friends could possibly comment — and do — on beloved British actor"

In this country we knew him through television’s “Masterpiece Theatre” and from the Grey Poupon mustard commercials.
In Britain he is well remembered for his roles with the Royal Shakespeare Company.
His friends and co-workers cherish the memory of a kind and thoughtful man.
He is the late Ian Richardson, the subject of a wonderfully edited new book, “We Could Possibly Comment — Ian Richardson Remembered,” by Sharon Mail, author, freelance writer and fellow Scot.
The book’s title comes from PBS’s witty political satire “House of Cards” (Masterpiece Theatre) in which Richardson starred as Francis Urquhart, a conniving, ruthless Member of Parliament who eventually becomes prime minister. Repeatedly throughout the series he looked at another character and slyly said, “You might well think that; I couldn’t possibly comment.”
His remark became so well known during the run of the show that former Prime Ministers John Major and Tony Blair are said to have jokingly repeated it to others.
Sharon Mail, who had known Richardson and his wife for some years before the actor’s unexpected death in February 2007, realized there were many people who could indeed comment on his life and career. Rather than write the traditional biography — he was born here, studied there, starred in such-and-such — Mail chose to contact more than 50 actors, directors, producers and friends and collect their reminiscences of this remarkable man.
The resulting book is a multi-faceted view of one of the finest actors of our time.
American filmgoers and TV fans will find familiar names among those who contributed to the book: Academy Award winners Judi Dench and Helen Mirren; Stacy Keach, David Suchet, Ian McKellen, Charles Dance, Joanne Woodward, and Brian Blessed. Also included are Richardson’s own comments on Paul Newman and on Johnny Depp who appeared with him in “From Hell” (2001).
• Judi Dench provided a humorous story dating back to the early 1960s when Richardson and Dench’s late husband, Michael Williams, were appearing in a production of Shakespeare’s “A Midsummer Night’s Dream” in London. “Part of the set was a huge tree in the middle of the stage and Ian and Michael set up a small bar inside it,” Dench writes. “There are large chunks of the play when Oberon (Ian) and Puck (Michael) do not appear, and it is these times that they spent in the ‘tree’ in the ‘bar.’”
• Paul Seed, director of “House of Cards,” recalled, “He was also huge fun to work with. We laughed an awful lot — often too much.”
• Actress Juliet Stevenson assessed his impact on the profession: “Ian was a really brilliant actor in a kind of mould that I’m not sure is going to go on existing.”
• Stacy Keach recalled working with Richardson in the TV production of “Mistral’s Daughter”: “I had to pinch myself a couple of times. I could hardly believe that I was actually working with one of my acting heroes.”
Co-workers and fans remember Richardson’s distinctive voice, which no viewer who watched him in “House of Cards” could ever mistake:
• Helen Mirren: “He had the most extraordinary voice — bell-like and with the most incredible internal power.”
• Ian McKellen: “He was most famous for his voice, which could mellifluously flute or bellow — an instrument that any Lear would envy.”
Mail’s book also illustrates his warmth and generosity in mentoring young actors at the beginning of their careers.
• Helen Mirren: “Ian was the most generous of men. I remember early on, I played a scene with him and he maneuvered it so that I would get all the laughs I could get. And if I wasn’t getting them he would teach me. Also, he would wait and make sure that I got my exit round of applause — something not all actors would do.”
• Christine Andreas who played Eliza Doolittle to Richardson’s Henry Higgins in the 20th anniversary Broadway revival of “My Fair Lady”: “From the first moment of meeting, he was generous and the most gentlemanly man I had ever met...I had a year of gallantry with Ian Richardson that I will never forget.”
We in the stage and screen audience had too few unforgettable years watching Richardson in his prime.
“His ashes were placed into the foundations of what will be the front row of the stalls of the rebuilt Royal Shakespeare Theatre in Stratford-upon Avon, which is due to reopen in 2010,” wrote the author, in conclusion. “I can’t think of a more touching or suitable resting place.”
Nor can I think of a more touching or suitable tribute to a great gentleman than this book.

“We Could Possibly Comment, Ian Richardson Remembered,” a picture-packed book by Sharon Mail, is available at this Web site: http://www.troubador.co.uk/book_info.asp?bookid=894 which pulls up the book and has a “click to add to basket” icon at the bottom.

Carol Ferguson is a feature writer for the Herald-Banner.

House of Cards Remake - I Couldn't Possibly Comment

If it were April Fool's Day I would believe the story I've just read online American director to remake House of Cards .

Not only is director Fincher going to attempt to remake a series that was well nigh flawless, but he is also going to set in the US. And even more unimaginable - if the stories are to believed - he is making it as a one-hour drama.

He might very well think it's a good idea, but I've yet to come across a remake of any contemporary drama that has come close to being anywhere as good as the original.

Me thinks there will be great rumblings under the foundations of the new Royal Shakespeare Theatre in Stratford where Ian's ashes have been placed.




If anyone wants to see House of Cards - in America or anywhere else - I suggest they stick to the original!

An example of the Legacy Ian has left behind

Sometimes we let technology take over our lives and keep us distracted from doing the things we ought to be doing.

But it has also made so much more accessible to all. People are able to find rare treasures they have been seeking - via Amazon, or Ebay - or freely available through sites such as YouTube.

One such treasure which is increasingly finding its way onto YouTube, is the wonderful series from 1984, Six Centuries of Verse. Introduced by the great John Gielgud, with Peggy Ashcroft, Ian, Julian Glover and Isla Blair amongst the readers.

A recent addition I stumbled across, is Ian's reading of Mathew Arnold's Dover Beach. The sound quality isn't great and the picture quality very poor. But, all you have to do is sit back, close your eyes, and be seduced by Ian's delivery.

Reaction to the book

I've had some terrific feedback for We Could Possibly Comment - Ian Richardson Remembered , which was published a month ago.

The book was written to give people a sense of what Ian meant to so many people - to some as an introduction to the actor, but more particularly as a memento for those who worked with him, admired him through having seen his work, or came to adore him through having known him.

Ian Richardson undoubtedly enriched the lives of a great many people and as just one of those whose lives were transformed by the privilege of getting to know him - and his wife Maroussia - and become their friend, it was my way of trying to say 'thank you'.

Undoubtedly, the writer of a book is too close to it to guage how it will be perceived by others - I just hoped that, having done my best, it would achieve its aim. And it has been heartwarming to have received a great deal of positive vibes from those who have read it - many of whom are grateful that a book on Ian has at last been published.

In my first blog on this new, dedicated site, I have been given permission to share the contents of an EMail I received this morning from Lucy Jaffe, from Long Island, NY:

Dear Ms. Mail,

I'd like to borrow the title from your new book to “comment” on how informative and enjoyable it is!

I've been an admirer of Ian Richardson's work for over 25 years. It was a real pleasure to re-live so many of his performances through the eyes of his colleagues and (very articulate) fans. Your own recollections of your friendship with Mr. Richardson and his wife provided a smoothly flowing framework for the reminiscences of so many actors and associates.

After finishing the book, my husband and I "toasted" his greatness, metaphorically speaking, by re-watching "Private Schulz" and "Murder Rooms”. Mr. Richardson's performances were so rich, both verbally and physically - from his deliciously infuriated pronunciation of the word "swine!" in "Schulz" to the delicate foot he turned away from the "life-giving sun" in "The Woman in White." His meticulous attention to seemingly small details allows us to discover new moments of expert characterization each time we watch him. His ability to switch from hilarious comedy to dark drama in an instant is always fascinating to see.

It was also lovely to read that he was a person of exceptional intelligence, warmth, and graciousness. I was particularly touched by how kind he was to his fans. I'm sorry I never wrote to him and missed out on an opportunity to have, perhaps, a rewarding correspondence with an actor I greatly respected. He might have found it amusing that my first dog was named Marat – he had a skin condition when we found him and didn’t respond much (a “dogatonic”) as he sat in the tub while being bathed. I was reading the “Marat/Sade” at the time and the name seemed to suit him.

Thanks, again, for putting Mr. Richardson back into the spotlight he so richly deserves.

A response like the one above from Lucy, makes it all worthwhile.